![]() ![]() Hoff believes that her own experience that night, even though it is not included in the film, helped convince some of those involved to talk. He and Aldean, who gave his first interview about Las Vegas to filmmakers, are important ties to the country community. Warren at first hesitated when asked to participate in the film, dealing with his own PTSD and wary because of past media coverage. “I don’t know why you would tell the story if it were easy to watch.” “Is it easy to watch? No, but it shouldn’t be easy to watch,” said SiriusXM host Storme Warren, who was onstage in Las Vegas that night. The experiences of people like Jonathan Smith, a Black concertgoer who had felt unwelcome because of a white man’s remark wondering why he was there, and Natalie Grumet, who had just survived cancer, are weaved throughout the story. The cooperation of Las Vegas police was key, bringing footage like the race to hospitals with survivors and the moment when a tactical unit burst into the casino hotel room where the gunman had barricaded himself. The film takes you vividly inside the event with cellphone and police body-cam footage. “We all went back to our corners to suffer in silence,” she said. Many survivors, like herself, were unhappy with media coverage of the massacre, believing there was too much focus on the gunman and that it was forgotten too soon. She was encouraged to broaden her focus through her experience with fellow survivors and the involvement of director Jeff Zimbalist and veteran producers Susan Zirinsky and Terence Wrong. Hoff, already in the film business, thought that made an intriguing subject. ![]() Nine months later, an FBI agent was at Hoff’s door with her boots - part of a little-known unit that returns property left behind by people caught in these incidents. More than 850 people were hurt before the gunfire stopped. They alternated ducking to the ground for cover and running away, depending on when they could hear the gunshots.Īt one point, she kicked off her cowboy boots because it was too slippery to run in them, eventually escaping the killing field where 58 people died that night, and two more later of their injuries. She turned to look at her husband and saw someone just behind him struck in the face by a bullet. 1, 2017, four rows from the stage as Jason Aldean sang “Any Ol’ Barstool.” Hoff heard popping sounds that she and her husband, Shaun, first dismissed as fireworks - not the work of a gunman firing from a nearby hotel window. It seems like a strange sentiment given that Hoff was at the show on Oct. “I’ve never felt more useful or more like the universe put me exactly where I was supposed to be,” said Hoff, an executive producer of “11 Minutes.” More than three hours long, the four-part documentary debuts Tuesday on the Paramount+ streaming service. The resulting film, “11 Minutes,” is an inside account of the 2017 massacre at a country music festival in Las Vegas and, more importantly, about how it reverberated in the lives of those who were there. A pair of cowboy boots that Ashley Hoff never thought she would see again helped unlock a powerful story about the worst mass shooting in modern U.S. ![]()
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